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Poem Characters

The speaker of the poem is Edna St. Vincent Millay who was born in February 22, 1892 and died in October 19, 1950. Edna St. Vincent Millay was an American lyrical poet, feminist and playwright (p .1). She was the earliest female to obtain the Pulitzer Prize for Poetry, in addition to was acknowledged for her activism as well as her numerous love interaction. Edna St. Vincent Millay used the false name Nancy Boyd for her writing style occupation.

The speaker of the poem is saying that love is not necessary basic thing neither sex only affair where man goes in and out of a woman.

The main idea of the poem or the theme of the poem is love.

The specific examples of poetic techniques used are rhyme scheme, alliteration, imagery, simile, metaphor, symbol, personification, allusion,

The protagonist of a literary work always suffers in a particular problem or dilemma because his or her world view or value system in that there may be more than one antagonist in a story, and they are ever a villain. Sometimes, a work will offer a particular character as the protagonist, only to dispose of that character unexpectedly. Sometimes protagonist is impossible to identify because multiple plots in the novel do not permit clear identification of one as the main plot.

These fictions of literary elements read in class this semester are of primary interest in the works as for instance:

 Plot, or storyline, is often listed as one of the fundamental elements of fiction. It is the rendering and ordering of the events and actions of a story. On a micro level, plot consists of action and reaction, also referred to as stimulus and response. On a macro level, plot has a beginning, middle, and an ending. Plot is often depicted as an arc with a zig-zag line to represent the rise and fall of action. Plot also has a mid-level structure: scene and sequel. A scene is a unit of drama—where the action occurs. Then, after a transition of some sort of the sequel—an emotional reaction and regrouping, an aftermath.

Types of plots: Chronological order Types of plotsIs where all of the proceedings happen in the order in which they happened in writing. There might be orientation to proceedings as of the past or future; on the other hand the actions are in black and white in time order. in attendance will not be flashbacks as well flash forwards.
Flashback In times of the past in television, film as well as extra media, a flashback is also called analepsis, is an interrupted scene that acquire the description flipside in time from the up to date summit the story has get to. Flashbacks are frequently used to narrate proceedings with the intention of happened previous to the story's main series of measures or to fill in critical back-story. Character origin flashbacks specifically refers to flashbacks trading with key actions in the early hours in a character's progress casing he could fly, The method is used to generate anticipation in a narrative, otherwise build up a temperament. In writing, inner analysis is a flashback to a previous summit in the tale; outside analysis is a flashback to previous to the storyline in progress.


Setting, the location and time of a story, is often listed as one of the fundamental elements of fiction. Sometimes setting is referred to as milieu, to include a context (such as society) beyond the immediate surroundings of the story. In some cases, setting becomes a character itself and can set the tone of a story.

Characterization is often listed as one of the fundamental elements of fiction. A character is a participant in the story, and is usually a person, but may be any personal identity, or entity whose existence originates from a fictional work or performance. (Millay 1917, p. 2)

Characters may be of several types:

Character of Point-of-view is the character as of whose point of view (theme) the viewers understand the story. This is the character that represents the point of view the audience will empathize or at the very slightest, sympathize with. Consequently this is the "Main" Character.

Character of Protagonist is the driver of the accomplishment of the story in addition to therefore accountable for accomplishing the stories of Objective Story Goal

Character of Antagonist is the character that position in antagonism to the leading role.

Character of Static is a character that does not appreciably revolutionize all through the track of a story.

Dynamic character is a character that undergoes character development all through the itinerary of a story.

Character of Foil contrasts to the protagonist in a manner in which to light up their behavior or quality

Supporting character: A character that stage a division in the plot, however is not most important

Minor character: A character in a small piece.

 

Methods of developing characters

Appearance  gives details otherwise illustrate the typescript superficial manifestation for the person who reads to be intelligent to recognize them

Dialogue is what they articulate as well as how they say it

Action is what the character perform in addition to how he/she does it

Reaction of others: how other characters see and treat him/her

 

Works Cited

Millay, E. S. (2010). Poems. New York: Knopf Doubleday Publishing Group,.

 

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